Showing posts with label Lou Kemp. Show all posts
Showing posts with label Lou Kemp. Show all posts

Tuesday, February 21, 2023

Straight Chatting from the Library: Lou Kemp



This post is parto of a virtual book tour organized by Goddess Fish Promotions. Lou Kemp will be awarding a $25 Amazon or Barnes and Noble GC to a randomly drawn winner via rafflecopter during the tour. Click on the tour banner to see the other stops on the tour.

READ THE INTERVIEW


What is your reading comfort zone?

Books that are fiction. Especially magical realism, mysteries, thrillers, and some sci fi. I dislike non-fiction, except biographies. In my book club, I’m only 1 of 3 who like mysteries, and for the general relationship/family books----I fake it during the discussions.

What makes you love a book?

Tension, a slow or fast mystery build up, characterizations that are human, quirky, unpredictable, and funny. If there is a main protagonist who is solving a mystery, they have to be believable along with their reason for being in the middle of everything. Would Miss Marple have been as effective if she stayed inside behind her curtains? Would Poirot have been as memorable if he hadn’t walked like a penguin and been so utterly polite no matter the insults or dead bodies?

Name a case in which hype ruined your reading experience.

This will segue into the next question. I have rarely given bad reviews, but in the case of The Christie Affair, I had to do so. Not because it was poorly written, but because the author drove me crazy. When you are reading a book, a reader generally is taken into the plot by an observer, or a first person narrative, or other point of view. In this book, the first person narrator actually said (dozens of times) things she knew from another character’s thoughts. How could she be in them??? I noticed other reviewers had the same reaction.

How do you feel about giving bad/negative reviews?

Regarding my review of The Christie Affair, I was irritated with the book, but still gave it 3 stars. Why? Because it did have a good plot and good writing except for the point of view nightmare. It was not what I expected, but that shouldn’t be the basis for a bad review. I assumed it was a reimagining of Agatha Christie’s life. It wasn’t. Not to spoil it for others, but this was more about a theme than Christie.

What distracts you easily when you’re reading?

The cats, all four of them. If I’m reading from a computer screen, it is even more enticing to interrupt me. This can be in the form of nice meowing, scratching my leg, standing in front of the screen, or trying to stand on the keyboard. I’m sure you understand.

How often do you skim a book before reading it?

I rarely will skim a book at first. But if I get nervous about a character surviving as I read, I’ll sometimes verify they are still talking at the end. Just that, just seeing they are still talking so that I do not spoil anything else. The same applies if there is a relationship on the line and if that other character won’t be around, it is nice to know…

To the readers:

What drives you to cross genre books? Are you tired of straight mysteries? Or? In the Celwyn series, it is about 30% adventure, 20% characterizations, 20% mystery, and 30% magical realism/fantasy. I’d love to hear your take on any of the Celwyn books about these percentages, and about what you would like more or less of.

Do you like light fantasy books or more serious ones? The Celwyn series is light on fantasy, heavier on magical realism.

READ THE BLURB


It’s 1865 and three close friends; the immortal magician Celwyn, the automat Professor Xiau Kang, and Bartholomew, a scientist and widower from Sudan, set out on another adventure as they travel to Singapore to fetch the professor’s wife. Prepare to explore a world reminiscent of our own yet filled with magic and steampunk!

Their private, magically enhanced train, the Elizabeth, is carrying them through the countryside when they witness the purposeful crash of a hot air balloon next to them. Jules Verne emerges from it and joins their party. As they continue east, the danger following the author shadows their train, and the murders begin. When they arrive in Singapore, Captain Nemo uses a unique method to trick Professor Kang into climbing aboard the Nautilus.

Music Shall Untune the Sky is a steampunk fantasy filled with murder, magic, and adventure.

READ AN EXCERPT


With a sigh, Elizabeth put down her tea. “If I may? I suggest we stay together.” She gestured at the corner of the room. “There is a water closet there. We could all stay in this room.”

“That would be very helpful.” Bartholomew gazed around them. “Jonas could provide food and drink as needed.”

“And blankets.” Kang regarded the sofas they sat on. “These would do as beds. And two of us awake and on guard at all times.”

It appeared they’d formed a plan.

“I need rest now.” The magician felt even more tired because the tension of the moment had eased.

“You look like it,” the automat told him.

A knock sounded, and Captain Nemo preceded Verne into the room.

Kang and the others exchanged a swift look that said, we were listened to.

Celwyn inserted himself in front of the others and faced Captain Nemo.

“Professor Kang would be honored to view your ‘project.’ We prefer to remain here until that occurs.”

Captain Nemo smiled without humor. “For your safety, as you perceive it.”

“Yes,” Kang told him.

Nemo pivoted on his heel with military precision.

“Enjoy my study, as my guests.” He started for the door. “We will arrive at the Nicobar Islands soon.”

“Jules, feel free to remain,” Celwyn purred. “We have questions for you.”

MEET THE AUTHOR


Early work was horror and suspense, later work morphed into a combination of magical realism, mystery and adventure painted with a horrific element as needed.

I’m one of those writers who doesn’t plan ahead, no outlines, no clue, and I sometimes write myself into a corner. Atmospheric music in the background helps. Black by Pearl Jam especially.

More information is available at LouKemp.com. I'd love to hear from you and what you think of Celwyn, Bartholomew, and Professor Xiau Kang. Milestones:

2009 The anthology story Sherlock’s Opera appeared in Seattle Noir, edited by Curt Colbert, Akashic Books. Available through Amazon or Barnes and Noble online. Booklist published a favorable review of my contribution to the anthology.

2010 My story, In Memory of the Sibylline, was accepted into the best-selling MWA anthology Crimes by Moonlight, edited by Charlaine Harris. The immortal magician Celwyn makes his first appearance in print.

2018 The story, The Violins Played before Junstan is published in the MWA anthology Odd Partners, edited by Anne Perry. The Celwyn series begins. Present day My new publisher, 4 Horsemen has reissued book 1 of the Celwyn series: The Violins Played before Junstan. The remaining books in the series; Music Shall Untune the Sky, The Raven and the Pig, The Pirate Danced and the Automat Died, The Wyvern, the Pirate and the Madman will debut, beginning in 2023 -2024. The companion book, Farm Hall, will be reissued in 2023 where readers will see more of Pelaez, another immortal magician and Celwyn's brother. Another companion book, The Sea of the Vanities is due out in 2023.

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Monday, January 31, 2022

Straight Chatting from the Library: Lou Kemp



This post is part of a virtual book tour organized by Goddess Fish Promotions. Lou Kemp will be awarding a $25 Amazon or Barnes and Noble GC to a randomly drawn winner, a 2nd randomly drawn winner a mug and pen with the book image and a 3rd randomly drawn winner will win a eBook via rafflecopter during the tour. Click on the tour banner to see the other stops on the tour.

READ THE INTERVIEW


How did you become involved with the subject or theme of your book?

I was writing a short story for the Mystery Writers of America anthology, Crimes by Moonlight, edited by Charlaine Harris. I wanted something beyond a mystery, but with those elements, and the kernel of the Celwyn series was born.

What were your goals and intentions in this book, and how well do you feel you achieved them?

I did not have any goals, but my intention was to write a book that came from the idea of Jonas Celwyn and let it write itself as I went. I’m pleased with how things have developed, he has grown to be a more empathetic man and is amazed that he has found friendship in Bartholomew, Kang, and Nemo. He enjoys his role as “Uncle Celwyn” at Tellyhouse with Annabelle and the orphans they rescued. He is tamer, but not tamed.

What was the hardest part of writing this book?

Not writing myself into a corner. I do not plot out the plot but let it flow as I write.

What did you enjoy most about writing this book?

Some of the action scenes, Kang’s reactions to the outlandish things Celwyn does, and the freedom to have a multi-layer story unfold in surprising ways.

Where there alternate endings you considered?

No, because each book is a break before the story continues and does not really end.

Can you share some stories about people you met while researching this book?

Only the fun of my cats getting between me and my screen while looking up something.

What genre of books do you enjoy reading?

Mysteries, magical realism, an occasional cozy.

READ THE BLURB


The Raven and the Pig Book 2

As the music dies, the magician Celwyn is mortally wounded. His darker, immortal brother Pelaez brings him back, barely, with his magic. The party of protagonists travel on the Nautilus to the Cape Verde Islands and the healer of immortals. During the journey, Professor Kang and Bartholomew can not tell if Pelaez will keep his brother alive. Captain Nemo is ready to evict Pelaez forcibly, and keeping Celwyn alive is the only thing that restrains him.

After Celwyn is saved, the healer requests payment for his services. This sends the adventurers to the catacombs in Capuchin where their experience is one they will not forget. Before it is over, several of the protagonists question why it seems everyone from warlocks and vampires to witches, seem to be congregating in their world. Before it is over, some of them become surprising allies, and a few of their allies turn against them.

In part II, work on the new flying machine begins in earnest bringing attention from the Mafioso and a cherub-like warlock called Duncan. After a final battle with Duncan, the flying machine is destroyed and everyone at their compound is murdered by one of their own.

WATCH THE BOOK VIDEO




READ AN EXCERPT


Instead of trotting left down the hallway to the cabins, Kang detoured as quietly as possible into the study. As he feared, he found Pelaez standing over Celwyn; he was also sitting at the Captain’s dinner table. The man in front of him was the real one.

Pelaez had Celwyn’s arm in a vise-like grip, his voice too low to hear anything but the menace in it. Kang saw the pain on Celwyn’s face, and his wide-open eyes.

“Leave him alone!” Kang cried. “Get away from him!” the automat flew at Pelaez who laughed and backed up, literally into the air. Qing squawked from atop the library shelves.

Celwyn’s face relaxed, and he whispered, “Don’t…let him hurt Qing,” before closing his eyes.

Bartholomew arrived with the Captain close behind. Nemo’s face darkened when he saw the tableau.

“What is going on?” he barked as he stalked into the room.

A half-dozen of the crew thudded to a stop behind him.

Like a feather on an air draft, Pelaez drifted to the floor. “Nothing.”

Kang shouted, “He was twisting Jonas’ arm when I came in!”

Bartholomew lowered his head, and took a step toward Pelaez. Of a sudden a wall of flames surrounded him.

“Not on my ship ----” Captain Nemo gestured to his crew who drew their side arms.

The flames disappeared and Pelaez executed a short bow. “Please, this is a simple misunderstanding.” He leaned against the sofa, yawning.

“No, —it is not,” Kang ground out. Despite the threat of flames or worse, he came within inches of Pelaez, so close he could have smelled his breath. “I know what you want.” He tapped Pelaez’s chest. “In case you need an incentive to leave Jonas alone. You won’t get anything from us if you hurt him. And nothing anyhow: Bartholomew has made half of the flying machine so far, and keeps in it his memory ---- without a written copy. There is nothing to steal.” Kang pointed at his forehead. “I have the rest of it, and we will only give it to Captain Nemo.”

Bartholomew glared at Pelaez.

“I am not after your information.” Pelaez’s smile sent a cold hand up Kang’s back.

“Yes, you are!” Bartholomew’s outrage rattled the bottles on the bar.

“How can you abuse Nemo’s hospitality in this manner?” Kang stomped to the aquatic window and back, sparking with anger. He glanced at the guard Nemo had left in the room as he got to his feet and shook his head, seeming unaware of what had happened.

Nemo still clutched a dinner napkin in his hand. With a wave, he dismissed his crew and eyed Pelaez. In a voice full of menace and certainty, he said, “If you weren’t keeping Mr. Celwyn alive, you would be expendable, Sir.”

Pelaez opened his hands in supplication. “Again, this is a misunderstanding---”

Captain Nemo glared at him.

Bartholomew sighed. “It seems we’re all dependent upon each other.”

Pelaez had no limits on boldness, going from provocateur to questioning them.

“What do you receive from this besides the flying machine, Captain?” Pelaez asked, his voice casual, which raised another flag of suspicion in Kang.

“I am repaying a debt. And, I too, respect Mr. Celwyn.”

The automat suspected that if they saved Jonas, with Celwyn helping him, Nemo would have no problem dealing with his brother and his malicious magic. Until then, he had to wait. As they filed out of the room to return to the dining room, Pelaez asked Kang, as if it didn’t matter, “How did you know I wasn’t actually with you?”

The automat nearly laughed. Let him wonder.

He would remember to tell both Nemo and Bartholomew later what he’d surmised. Pelaez could disable the Nautilus just as easily as Celwyn, or he could do other things; he was playing with them, pretending to behave. There was something he wanted, and the Professor would bet it had just as much to do with Thales, as the flying machine.

MEET THE AUTHOR


Early work was horror and suspense, later work morphed into a combination of magical realism, mystery and adventure painted with a horrific element as needed.

I’m one of those writers who don’t plan ahead, no outlines, no clue, and I sometimes write myself into a corner. Atmospheric music in the background helps. Black by Pearl Jam especially.

More information is available at LouKemp.com. I'd love to hear from you and what you think of Celwyn, Bartholomew, and Professor Xiau Kang.

Milestones:

2009 The anthology story Sherlock’s Opera appeared in Seattle Noir, edited by Curt Colbert, Akashic Books. Available through Amazon or Barnes and Noble online. Booklist published a favorable review of my contribution to the anthology.

2010 My story, In Memory of the Sibylline, was accepted into the best-selling MWA anthology Crimes by Moonlight, edited by Charlaine Harris. The immortal magician Celwyn makes his first appearance in print.

2018 The story, The Violins Played before Junstan is published in the MWA anthology Odd Partners, edited by Anne Perry. The Celwyn series begins.

Present The full length prequel, The Violins Played before Junstan, to the Celwyn book series is published on Kindle. The companion book, Farm Hall is also published where Pelaez, another immortal magician and Celwyn's brother, makes his first appearance. The remaining books in the series: Music Shall Untune the Sky, The Raven and the Pig, The Pirate Danced and the Automat Died, will be available beginning in August 2021.

Twitter: https://twitter.com/LouKempBooks
Facebook: https://www.facebook.com/people/Lou-Kemp/100070730154592/
Instagram: https://www.instagram.com/LouKempAuthor/
Amazon buy link: https://www.amazon.com/Raven-Pig-Book-Celwyn-ebook/dp/B09KXFWBZC

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